BUILDING BLUEPRINT
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Lyrical Analysis of...
The Sommelier
- ///verse 1
- the sommelier doesnt drink to get intoxicated
- tastes to understand the vineyard, the weighted
- history of a specific slope in a specific year
- when the rain arrived seventeen days late and the fear
- and the sweetness lived inside the same skin, thats the vintage
- thats the information the casual consumer misses at the binge
- i been developing a palate since I could hold a pen
- and feel the difference between whats made and whats been
- manufactured for a market between the terroir true
- and the technically correct but nobody actually grew
- this from the ground up, I can taste the distance
- between the handmade and the industrial insistence
- of consistency but consistency without character
- is just the absence of failure, thats not spectacular
- thats safe and safety doesnt have a terroir
- safety has no specific slope, no particular star
- light in a particular harvest just the average
- of a thousand unremarkable passages
- through unremarkable seasons and you can taste it
- on the palette, smooth, balanced, wasted
- ///hook
- the sommelier reads the glass before the label
- knows the vintage by the weight, the nose, the table
- pf contents that the liquid writes on contact with the air
- the sommelier reads the craft before its aware
- of being read, knows the hand that made it
- by the residue of how the hand displayed its
- pressure, its uncertainty, its particular genius
- the sommeliers the reader and the thesis
- ///verse 2
- every bar Ive encountered left a finish on my palate
- the tannins of the complicated, the fruit of the ballad
- the mineral of the pure craft, the acid of the grime
- the terroir of a borough in a very specific time
- i can tell you who was sitting in what room at what hour
- by the oxidation of the image, the residual flower
- of an influence metabolized and sweated out and gone
- except in the sediment the language built upon
- the sommelier trains for years before pronouncing anything
- because pronouncing without earning is just mumbling
- with confidence and the craft rewards the patient taster
- not the first impression the sustained encounter with the structure
- rewards the one who comes back for the third sip
- and the fourth the finish is where the real grip
- of the thing reveals itself the aftertaste is the thesis
- the first impression is just the preamble, the real piece is
- what remains when the obvious has faded
- when the fruit note that seduced you has vacated
- the palate and the tannin structures what your left with
- the skeleton of what it is stripped of its gift wrap
- and I am a tannin structure emcee
- i am what remains when the seduction leaves
- the palate dry and asking for the architecture
- of the actual and I am the lecture
- underneath the entertainment both are real
- but only one of them is what you feel
- three hours later when your not in the room
- thinking about it thats the sommeliers proof
- ///verse 3
- theres a vintage I return to when I need to calibrate
- an album cut from a year of particular weight
- when the producer and the emcee were both testing
- against something real and the compression
- of that reality into the bar is audible
- if your listening correctly, if your palates capable
- of reading duress in the syllable and it is
- once youve trained for it the sommeliers business
- is exactly that reading the duress
- the beauty, the confusion, the digress
- ion from the plan in the finished work
- reading the human in the art, the quirk
- of consciousness that makes it specific
- and specific is the sommeliers aesthetic
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