BUILDING BLUEPRINT
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- TOO HARD Yung George ft. Big John (da kinG and Will Da KiIlla Diss Track)
- (George Washington and John Adams Rapping Parody)
- Set on September 28, 1789
- [Chorus:](Yung George) (Start of beat)
- Yeah, you a bitch and a sore loser, I know you takin’ the L too hard.
- You’re cryin’ ‘bout the smallest shit, I know the eight Tyrones in yo bedroom right now goin’ too hard.
- Pull up on this mothafucka and have him see the Lord, bullets flyin’ from the blue car.
- I heard they didn’t take the ‘roids and PEDs, damn, they just screwed themselves hard.
- [Verse 1:](Yung George) (0:12)
- Ayy, peasant, ain’t no need to lay off the [‘roids ‘cause your wife’s already on my dick.](Steroids make your thingy smaller)
- You bums ain’t gettin’ shit, they don’t fuck with yo trash sound, they all bumpin’ my shit.
- If you really loyal, you’d stay no matter what, so Imma make your bitch my bitch.
- Yeah, [I see you, send you to the ER on all the meds, Imma win, even known by the blindest.](I see you=ICU {Intensive Care Unit}, and the ER is similar to the ICU. I see you also connects with the ‘blindest’ part)
- My chains gonna blind ya, shoot at the eyes and you’re blinded, I ain’t afraid to show up at your location.
- [Pull up in my private jet, no Epstein](Epstein has a private island, which ties in to the ‘kitchen island’ part later), but I’m kinda impatient and [Imma rock you and make you hit yo head on the kitchen island, I ain’t give a fuck ‘bout my bad reputation.](In this context, ‘rock’ means to hit someone hard. Additionally, this bar refers to rock singer Joan Jett’s song Bad Reputation {which is way I said jet instead of island in the previous bar})
- [Creepin’ till you hear the boom in the metro](Refers to “Creepin’”, a song in which Metro Boomin was one of the singers) ‘cause I know you run from confrontation, and let’s not forget your hobby of masturbation.
- For your information, while you was doin’ that, [I took your queen, you fake ass king, she checked me out and we started matin’.](Chess scheme: queen/king/check/mate)
- Yeah, I ain’t poor, I can afford transportation, yeah, like you ride 1 inchers, Imma slime out yo homies while I ride my knight.
- I can afford to make my soldiers good, [don’t disrespect my boi Freddy, or I’ll make sure you die in the next five nights.](FNAF bar, also refers to Baron Von Steuben, whose nickname was Freddy)
- This ain’t no game, it’s real life, you couldn’t even dream of bein’ me at my height, you pull out a knife but I’m still fuckin’ on your wife.
- Yeah, my Ruger might bite but not quite, give you a fright when [I pull out the belt one handed like I’m Matt Rife.](Matt Rife is known for pulling out his belt one handed)
- But you’re the joke here, remember that, yeah me and John finna [mug you like we’re Bonnie &Clyde.](‘Mug’ means to rob, and Bonnie &Clyde were infamous robbers)
- Yeah, we got you surrounded now ‘cause us and the French became allies.
- Take away all your [joy when we shove you in the riptide](Refers to Vance Joy’s song ‘Riptide’), I know water’s in your eyes but don’t be lookin’ at me sad eyed.
- Better never again show your face in public, we finna make you hated worldwide. (Ayy my boi Big John, come fuck him up some more)
- [Chorus:](Yung George and Big John) (1:14)
- Yeah, you a bitch and a sore loser, I know you takin’ the L too hard.
- You’re cryin’ ‘bout the smallest shit, I know the eight Tyrones in yo bedroom right now goin’ too hard.
- Pull up on this mothafucka and have him see the Lord, bullets flyin’ from the blue car.
- I heard they didn’t take the ‘roids and PEDs, damn, they just screwed themselves hard.
- [Verse 2:](Big John) (1:27)
- Yeah, Imma fuck you up some more, but don’t get too excited ‘cause I ain’t comin’ from behind.
- Yeah, I’m too fuckin’ famous, when I sign a ‘graph, y’know Imma create a beeline.
- You know I run my city, committed to thuggin’ on the streets for life.
- You don't wanna cross paths wit’ me, fry an opp like a goddamn pork rind.
- Yeah, you can’t get at us, we’re protected, we got a Constitution.
- And a Bill of Rights, meanwhile, all your female family members venture into prostitution.
- I know you’re interested, and maybe that way, you’ll finally provide some contribution.
- Oh wait, you didn’t even know that was a real word, bitch, quit tryna tear down evolution.
- Yeah, and fuck you too, [British East India Company, your tea’s utter dogshit.](Refers to the Tea Act, in which the colonies were only allowed tea from the British East India Company)
- Stop bein’ such a goddamn rich kid, you below our class and you ain’t gon’ mog shit.
- Yeah, I’m a goddamn hacker, drop yo IP and SSN when I login.
- You a sore loser, gonna show you how I’m better just so I can say you lost it.
- And don’t you try to run, I got my homies on speed dial, especially the Hydes.
- Don’t make get the detector, you ain’t a G, we see thru’ the lies.
- And besides, you high as fuck, so Imma shoot you right out the skies.
- Oh, and besides, [Alfred and Octavius](Prince Alfred and Octavius were the two sons of King George III that died before adulthood) knew what they were in, that’s why they died.
- [Chorus:](Yung George and Big John) (2:16)
- Yeah, you a bitch and a sore loser, I know you takin’ the L too hard.
- You’re cryin’ ‘bout the smallest shit, I know the eight Tyrones in yo bedroom right now goin’ too hard.
- Pull up on this mothafucka and have him see the Lord, bullets flyin’ from the blue car.
- I heard they didn’t take the ‘roids and PEDs, damn, they just screwed themselves hard.
- Yeah, you a bitch and a sore loser, I know you takin’ the L too hard.
- You’re cryin’ ‘bout the smallest shit, I know the eight Tyrones in yo bedroom right now goin’ too hard.
- Pull up on this mothafucka and have him see the Lord, bullets flyin’ from the blue car.
- I heard they didn’t take the ‘roids and PEDs, damn, they just screwed themselves hard.
- Outro: (2:42)
- Yeah, Back Then Recordz, motherfuckers, ay Brits, you better watch your shit.
What is a Blueprint?
A blueprint is like a report card for your lyrics. It contains a lyrical breakdown and analysis of all the words, syllables, and rhymes in your song.
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