BUILDING BLUEPRINT

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Lyrical Analysis of...

bodies on bodies

  1. [the morgue got a two for one special we stacking em deep](morgue as retail space with bulk discount irony, "stacking" as both body piles and value deals)
  2. [coroners overtime they clocking six figures to sleep](medical examiners earning through death, "sleep" as eternal rest/occupational hazard)
  3. [the chalk outlines hold hands where the pavement got passionate](crime scene as romantic tragedy, "passionate" as violent death/lover's embrace)
  4. [bullet holes whisper sweet nothings where the skull fragments decorate](projectile wounds as intimate confessions, "decorate" as both brain matter splatter and home adornment)
  5.  
  6. [the river swollen thick with last meals and unanswered prayers](waterway as digestive tract, "last meals" as corpses/bloated stomach contents)
  7. [floaters wave hello with wrists still wearing their snares](drowned bodies as greeters, "snares" as both restraints and identification tags)
  8. [the casket industry booming like the stock market crash](funeral economics mirroring societal collapse, "crash" as financial/vehicular death)
  9. [gravediggers unionized they demanding hazard cash](labor rights in death industry, "hazard" as physical/psychological toll)
  10.  
  11. [the funeral home got a drive thru for the grieving on xans](modernized mourning, pharmaceutical grief coping mechanized)
  12. [viewing rooms smell like febreze and abandoned plans](chemical air freshener masking decay scent, "plans" as lives cut short)
  13. [the obituaries scrolling like tweets on a bleeding screen](death notices as social media feed, "bleeding" as both literal and algorithmic)
  14. [trending tags for the deceased got the likes looking obscene](morbid virality, audience engagement with tragedy)
  15.  
  16. [the crematorium humming like a bakery at dawn](industrial death as food service, "dawn" as peak burning hours)
  17. [ashes packaged pretty with the "best dad" plaques still on](remains as consumer products, unfinished sentimental gestures)
  18. [the mass graves dancing waltzes when the moon pulls the tide](bodies as cosmic dancers, lunar gravity animating the dead)
  19. [forensic teams betting on which jawbone tells the best lies](science as gambling, skeletal remains holding untold stories)
  20.  
  21. [the suicide forest got a gift shop selling last breaths](natural death site commercialized, "last breaths" as souvenir oxygen)
  22. [tourists taking selfies where the hanging ropes flex necks](dark tourism meets performative death, "flex" as both rope tension and social media posing)
  23. [the ICU beeping out Morse code for the already gone](medical equipment as communication from deceased, "gone" as clinically/permanently)
  24. [flatlines singing lullabies to the newborns next ward](death and birth juxtaposed, cardiac monitors as nursery rhymes)
  25.  
  26. [the warzone mass graves blooming like springtime tulips](bodies as seasonal flora, decomposition as natural beauty)
  27. [mass shooters signing autographs in the brain matter residue](notoriety meets forensic evidence, "residue" as both physical/gunpowder)
  28. [the genocide buffet got second helpings for the brave](systemic killing as endless feast, "brave" as both soldiers/participants)
  29. [cannibal politicians licking fingers clean on CNN](power as consumption, media as dining spectacle)
LYRICAL GRADE

RHYME DENSITY

0

RHYME LENGTH

1 syllable
2 syllables
3 syllables
4 syllables
5+ syllables
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